from
around here believes when Tim speaks. when he recalls details from his past. yet they still listen< to the resistance in his voice, at the difficulty of >telling rather than showing.
< you knew how tightly i needed to be held. these memories of us together please me, but i restrain myself from mentioning, to keep you comfortable.
> a little blip flashed across their screens. single was now in a relationship. the change drew the attention of flora followed by elizabeth.
compromised from years of neglect, he describes a place immortalized by his younger self. the ordinary landmarks< he had once depended on, translated into a vernacular he can no longer read. lost in his words, unable to move forward from its impediments, he begins again, internalizing his >missteps into a portrait realized by another author.
< i feel like you are here for me. always present. do you think i'm being destructive living out here? Tim responded with a definitive, yes. Iris continued, do you think you being here could help me?
> i found something in my basement, where things got the most water damage, it's a notebook with Tim written on the cover.
i have lived in this passing world, immersed in its regrets albeit my own doing or rather, undoing. though my eyes cannot express the likeness outsiders pretend to see. given enough time, i may not recognize myself or the changing of the seasons around me. cold and heat will be one, if not the same.
to
be found. it went from receiver< to >sender with nothing written in between, had he forgotten the purpose of the letter? was he making a statement by saying nothing at all? much like the three ellipses that pulsate on her phone’s screen, he prolongs her anxiety as she waits patiently for the incoming message. but it never arrives.
< the last night whenever i woke up, i must have cut off the circulation to your arm. i laid on it all morning.
> without knowing whom to credit, she took it for herself. i hear you. i listen. i do hang on every word. but so often, i’m not sure how to respond. the last time i saw you we were in the snow and i wasn’t ready to say goodbye. and now we're here. i stopped breathing. it's you i want to wake up to, not this image of you. not this created communication. i grind my teeth and distract myself with depressing books.
they‘re moved’
by/all the way he keeps stumbling over the same location. while passing, his wool coat clings to the concrete leaving behind an abstract expression. what he would reveal< and what he kept to himself were never separated. a coat check would prove there was no disguise, no desire to >blend in, he wanted his image to be pulled apart. but no one was there to tell him he had gone too far.
once having seen light pass through solid objects, the circumstances granted him access, that before he would have needed permission to enter.
< camouflaged in plain sight
> deepfakes demonstrate how the human face is emerging as a central object of ambivalence in the digital age.